Tuesday, 31 December 2013

Happy New Year!

Argus piece in Vestre Skostredet
"If one asks himself what living individual who gives most of the Bergen population's sense of identity, I think (after Herman Friele who has moved out of the town hall) that is the 80 year old Otto. Otto Fredrik Wollertsen had the street as his home for the most of his adult life. Through his daily hunched walks through the city's streets for decades, by bike, cassette player and harmonica, he's become a part of Bergen's soul. And through his choice of life, he has seen the world from the standpoint almost no other know. Therefore, his story uniquely enriching." - Ole Hamre in 2008

Ottoen strolling by a big wall poster on EU leadership

HAPPY NEW YEAR, GOOD PEOPLE!!

Wednesday, 11 December 2013

It's warm inside!


It's warm and cousy inside and December offers just a few hours of light a day. Bergen Street Art (BSA) have moved inside. The Gallery at USF (United Sardines Factory) and BSA have curated the largest assembly of street art works from local artists to date. BSA is a collective or assosiation of artists that promote street art and organizes different activities like workshops, discussions and street art happenings. The exhibition this time was a showcase, and the works was not for sale. 

These artists are usually found in the streets outside, in and around Bergen city. Some of them still active vandals. Others haven't done any interesting stuff in the streets for years.

I'm usually critical to street art inside, even if the artist is Dolk (See the blogpost: 'Wildlife'). And I must say that the 'LEGAL' exhibition was no exception. This art inside becomes toothless and misplaced. If the  exhibition is regarded as presenting the status of street art in Bergen today, I think the status is in no good shape. With a few exceptions, the works do not give much hope for the future, regarding creativity, quality and impact.

My personal faviourites (and few exceptions) in BSA are Argus and johnxc. In addition, I like LaStaa, but would have liked to see more new works from the artist out in the streets.

I like Argus for his productivity and variability, always cutting new stuff and presenting original works. I like the relatively new "tile style". His stencil motives, made up of triangulated tiles in different shapes and sizes, are fresh and I've seen nothing like it in the street art world. Argus is a creative force and I regard him as the leading street artist in Bergen today.

Argus Stencil at USF (outside)
Argus have not found reason to present works on "soft" canvas made for livingrooms yet.
 I love the "Strindberg maniacs" of johnxc. His portraits are figurative, but made experimental with, I think, inflicted madness :-). johnxc often us magazine papers as canvas and paste them up on the wall. I think his style is original and distinctive and he's the only street artist contributing to 'LEGAL' that I could concider putting up on my wall.  johnxc have found a way that actually works both outside and inside.

johnxc work inside at 'LEGAL'
Works from the showcase:

johnxc to the left and stencil 'Salome' by Yatzy to the right

The new king of chess: Magnus Carlsen portrayed by LaStaa


Upper left is the 'The Angry Boy' by LaStaa (inspired by the famous statue of Gustav Vigeland), Bottom Left a stencil by Chris Stain and right, stencil and installation by Habitus

Some of the artist made pieces outside in the USF area, and I think those were the best works presented of BSA 'LEGAL'.

Fisherman portrait by Yatzy
David Hasselhoff on duty by LaStaa
Earlier on I wrote about the 'exhibition' in the old paint factory, and found the abandoned buildings great for street art inside. A perfect venue for BSA, but probably did not reach a large audience and sadly destroyed after brief time by other vandals. USF is a major institution for art, film and music in Bergen, and in this respect a very good venue for showing street art when it comes to reaching a larger audience. That's the biggest achievement of 'LEGAL'. And maybe others, talented, will be inspired to do art in the streets. 

Thursday, 28 November 2013

The smelting plant

The tag says: 'takk for oss' a norwegian expression for 'good bye from all of us'!
Its about ten years now, since the last workers left the smelting plant in Odda, Norway. The abandoned buildings still stands and reminds us about a tough industrial reality made of concrete and iron. For about hundred years this plant was the cornerstone of a society deep inside the Hardangerfjord, surrounded by high mountains blocking the sunlight.


Destiny, I think, gives me a special relationship with Odda. I've never lived there, but stayed there several times and I think the place is fascinating. The abandoned smelting plant in the middle of town looks like an ancient dark throne of evil forces.


Inside, a carpet of grey sand and dust (probably a mixture of chalk and coal) makes the buildings look like you have entered a colourless post apocalyptic site with dead materials and no life.

   
Once, these buildings where filled with men, dirty and strong men, sweating over melted carbide pouring out of glowing owens. Now, it's cold and hard.


It seems odd to build an industrial smelting plant in Odda, the middle of nowhere, far away from practically everything. In addition there were no lime stone in the area, or coal, the main ingredients in calsium carbide. They shipped the the raw materials to Odda in tankers on the fjord.


In the beginning of the 20th century the reason was an unlimited source of cheap power produced by waterfalls. Calsium Carbide is produced by heating a lime and carbon mixture up to about 2100 degrees celcius. In 1906 the plant in Odda was the biggest Calsium Carbide plant in the world.



Vis større kart

Saturday, 23 November 2013

5 pointz is gone, rest in power!

Photo: C.S. Muncy, The Village Voice
5 Pointz street art and graffiti was buffed over by white paint the night of 19 November 2013, without warning to artists and it came as a shock to fans of street art all over the world. The dispute about 5 pointz and the future have been going on for years, but now it seems to be over. The biggest outdoor street art gallery in the world is gone and the huge property and buildings in Long Island City (Queens) is now getting ready for demolition. New stores and luxury condos will be raised. The owner Jerry Wolkoff defended the overnightdestruction in interviews and told that "I know they're upset but it's over with. I can imagine going one piece, one piece, and then going through hell and torture to everybody," He said, and told further: "So I said, 'Let me do it one time, and end this torture one time'" The street art community is upset and called it an act of cruelty. More than 1500 pieces of street art and graffiti works was wiped out over night. I visited 5 pointz in september 2013. I took line 7 from grand central towards Queens and right after crossing east river an amazing view hit my eyes. There it was, the legendary 5 pointz.
5 pointz 19 of september 2013 (photo: o. m. eyra)
Below is how it looked like the the 19th of november 2013. The paintover was really sad news and the media photos showing the white walls were heart breaking.

Photo Wall Street Journal
 I am really happy that I got to see the art works before they dissapeared. Lets go a couple of months back and below is some of my photos from september 2013:

photo o.m.eyra

Work by Toofly photo o.m.eyra

photo o.m.eyra

photo o.m.eyra

 Work by Esteban Del Valle, photo o.m.eyra
photo o.m.eyra

Work by Jimmy C,  photo o.m.eyra

Works by Dis_Satisfied and Adub, photo o.m.eyra

photo o.m.eyra

Work by Dase (morc alvarez) photo o.m.eyra

Work by Onur Dinc, photo o.m.eyra

photo o.m.eyra

Work by Shiro, photo o.m.eyra
And there were so much more........Click on this link to see more of my instagram photos from 5 pointz online.

Artists have been painting on the property since the early 1990s, with permission from the Wolkoffs. In 2010,  the owners decided to demolish the building. Since then, Jonathan Cohen, also known as Meres One, and fellow curator Marie Cecile Flageul have been fighting a battle to save 5 pointz. 5 Pointz launched a lawsuit against the Wolkoffs, but the federal district court ruled in favour of the Wolkoffs and the decision to paint over the murals came just after Banksy held a month-long New York residency in October, which ended with him writing a brief comment on his website to "Save 5 Pointz."

Sunday, 10 November 2013

M-city in control

M-city makes big stencil works and I guess he likes Norway. I've enjoyed his street art works in Bergen, Oslo and Stavanger. This year he painted the control tower at Stavanger Airport. What could be cooler? Well, he had permission and took it. I love the work.


M-city is Mariusz Waraz from Gdansk in Poland and have been a street artist for 18 years. His stencils are inspired by machinery, engines, industrial equipment, derelict factories and abandoned spaces. When he is not painting huge murals, he teach graphics at Gdansk's Academy of Fine Arts.

To vreate the the mural on the control tower he used 6 days in his studio,  created the image on the computer and cut out 51 stencil pieces. Then he took the rolls to Norway. It took him another 6 days to paint the 28 m high tower. The result is impressive.

The art work is beautiful and fits really well in the airport environment. The personell must be proud of their new tower and work place.  I wish that M-city could come back every year.

Thursday, 31 October 2013

Street Art theft!!

Street art enthusiasts connected to Kunstveggen, along with the local council, got the idea of trying to preserve street art originally made illegal by Dolk and Pøbel around In Bergen city. The council gave 50 000 krones (about 8500 dollars) for the purpose. The result is that officials glued plexiglas on ten street art works.

The idea and protection plan is controversial among street art interests.  A local street art blog, Mot Veggen, argued against the this type of protection for two main reasons. The first reason is that street art is ment to be temporary and second, the protection of certain "valuable" street art works would draw unwanted attention to the works. It seems like the like the blog was right. Few days after the protection plan became public through local media, a work by Dolk, "Grenade Lovers" was stolen from the streets of bergen.


The stolen piece"Grenade Lovers" by Dolk
Now there is just a wooden plate where the Dolk piece where done about 8 years ago outside a pub in Bergen and a part of street art culture is gone. Part of Dolk's talent was/is to pick locations for his works and now the place looks sad and empty.

There is a price of 30 000 krones (about 5100 dollars) to those who can find the work, but local media speculates that the piece may be worth about 200 000 krones (about 34000 dollars). It's no coincidence between the protection plan and the theft. Theft? Well, the owner of the building is unsure. He have not really thought of this work as his belonging. It was made without his permission and is unsure if he can report this to the Police as stolen property. I don't know what the law text says about this, but he got a point. The city have never claimed ownership of the piece either. So, no one really owns this. The thieves have stolen something that don't belong to anyone, but something that belongs to everyone, me included. And I think that the thieves should give it back.

Steel plate placed where the Pøbel work used to be
It's not the first time someone removes street art works from the streets of Bergen. A piece by Pøbel was removed early spring. There are thieves of street art and the sad part is that there probably are buyers.

The stolen Pøbel piece

Summer 2012 Banksy made the work below in North London, later it was stolen, cut out of the wall. The community started to demonstrate, claiming the work back on their street. Later the piece was exhibited in Wynwood, Miami Basel in US for sale on an auction. The street art piece had been stolen by the owners of the wall (the building) in London. The reactions among people in London and US where strong, and the work was withdrawn from the auction. Later, on a private auction in London in June 2013, the work was sold for more than a million pounds. Read a BBC report here.

Image of the Banksy original VIA www.liveauctioneers.com "Slave labor"
In february 2013 I took this photo in London where the original "Slave Labour" work by Banksy where placed

Street art can be an easy target for theft because the works are made in public places for everyone. Unless the artist makes huge works on thick concrete walls! At least, that will make theft really hard.

Saturday, 26 October 2013

Queueing for three hours (Tour Paris 13)


Last day in Paris. After a lazy morning, I arrived at Tour Paris 13. Tour Paris 13 is an abandoned apartment block in Paris 13th district by the river Seine. At arrival I saw the big crowd outside the building queueing for entrance. It's a grey and cold Sunday in October and I find my place in the queue.

Tour Paris 13 on the quai d'Austerlitz. Calligraffiti by eL Seed
Tour Paris 13 is an unique exhibition for street art. About hundred international artists have used seven months to paint the building and apartments inside. 4500 square meeters over 9 floors. I would really like to see this.

piece by Tore
The queue moved really slowly and I got to know that they only let 45 people inside at the time. After 1 hour I had just moved some meters.

Dan23 portrait and Elseed Calligraffiti
The organisers believes it is the largest temporary street art and graffiti project of its kind and open for one month, October 2013. The building is planned to be demolished by the end of the year, but there are still people who refuse to move out. After two hours in line, I was starting to loose hope. Two hours to closing time and people around was restless. We began to think that this would not go. Some left, but I decided to stay for a while more. This was my last opportunity to see this during my visit to Paris this time.

After three hours it was beginning to get dark and it began to rain. A security person came by and told that we would not be able to enter before closing time. We were wet, cold and hungry and I realized that I would never see this exhibition inside. I was really disapointed. Can't be lucky every time. I had a good time in the line and learned something important: The project and street art is way more popular than I had anticipated, and I have to plan more carefully around this next time.

Mona Lisa by Inti
Relaxing on fron of a piece by Kazar
Raiden by STeW


After a while the crowd dissolved and many went dissapointed home that evening. I got a feeling of the project at least and took photos of the works outside.