Showing posts with label Dolk Lundgren. Show all posts
Showing posts with label Dolk Lundgren. Show all posts

Saturday, 31 August 2013

Framed Dagger!

The piece isn't signed, but it smells argus!

A funny street art peace popped up in town yesterday. A framed "golden dagger"! The norwegian word for dagger is "Dolk". Dolk is in town and has his first solo show in Bergen called "Wildlife" at Gallery S.E. It's worth a visit. Dolk is showing original stencil works on canvas and a couple of installations. I think that Dolk found a nice venue for marking his 10 year anniversary. News can tell that he has sold for about one million dollars on his first solo show in Bergen. Hence, the "golden dagger".

Dolk "Wildlife" exhibition at Gallery S.E

Friday, 28 June 2013

DOLK 10 years! From vandal to artist

From illegal street art to high priced prints

Dolk began as street artist in Bergen in 2003 and according to an interview done in 2004, he had clear goals with his work: To travel the world and make money from his art. That goal is reached. He sells prints through hand made posters (hmp) where most works are priced about 900 pounds and most works are sold out. These works goes on ebay for way higher prices. Dolk have gallery exhibitions and are invited to major international street art festivals and do commissioned works all over the world. Dolk have been and is a success story.

His break trough as a stencil artist was probably when Dolk participated at "Santa's Ghetto" festival in London in 2006 (Invited by Banksy). At the same time, this probably also ends his underground image as a vandal, doing illegal works in the streets.

There are not many illegal pieces from Dolk left, and Bergen is probably still the only place where you can find early illegal works by Dolk.

Dolk in Sandviken Bergen (photo 2011)
"Crush" by Dolk in Skottegaten, Bergen (Photo 2011)

Ghetto Spedalsk (Lofoten 2008)

One of Dolks most remarkable projects so far is Ghetto Spedalsk together with Pøbel in the rural area of Lofoten, Norway. They began to paint abandoned houses in 2008 and have continued to do so every summer. This project brought attention to the depopulation and decay in rural parts of Norway and is nationally and internationally recognised. These art works are as far away from their urban roots as possible. I have not been in the Lofoten area my self and is high on my "things to do list". See some works in Lofoten here and on Dolk's own webpage here.

Dolk vs. Banksy

Back in 2004, Dolk formulated another goal in his interview: To "crush" Banksy. Well, that goal still seems far fetched. Banksy was (and may still be) Dolk's idol and hero and influenced Dolk's stecil style early on. Dolk, as Banksy, have still kept his identity a secret and people mix up works by the two artists. Banksy undoubtably helped Dolk's career by inviting Dolk to festivals in London and probably they are friends. Banksy is still the master of this game. While Dolk do commissioned work, sell prints and exhibit in galleries, Banksy still do illegal work in the streets, he makes books, films and action oriented art stunts. Banksy have kept his subversive tone and seems to be more a better organiser and creative to a larger extent than Dolk.

"The Winner" one of the latest works from Dolk. Made for Bergen Night Jazz, May 2013 (photo 2013)

Monday, 11 March 2013

Dolk: Girl with Megaphone

Dolk Stencil in Stavanger

Street art is a genre were the work outside on the wall is done in seconds, often at night time when darkness and shadows hides the identity of the maker. When the city wakes up, and people buzz around to work, to school, to the bus etc. their environment is changed, a wall have been decorated with something for them to see. It's not a commercial,  a poster or an info board, but street art signed by a pseudonym.

Before this happens, the street art maker have planned this process carefully. The creative process, the idea work and equipment is important. Dependent on style/technics, the street artist make sketches, drawings, prints, cut out stencils, mix wheat paste and choose the right spray paints and colours at home (street artists usually can't afford studios). The placement is important. Its important to be seen (a busy place) and is important to find a place where the work will stay for a while (not painted over or removed at once by angry owners or officials). The street artist also have to take into account CCTV cameras and quick escape routes if detected by security, police or property owners.

The difference between street art and more traditional gallery art is that street art often gives an immediate impression or message to the bypassers which is both recognizable and "food for thought" at the same time. Street art is often simple in style, use iconic images or symbols. Sometimes critical, subversive and satirical. The works challenge our minds, values and ideas. Street art is "anti-commercial", often using similar visual effects and strategies in the public space as the commercial industry.

I think this Paste-up by ICON I found in London is a good example of a classical street art work
However, much has changed the last decade, and the difference between street art, modern art, conceptual art, public art and commercialism is more blury. Today street art as a culture have elements that is both legal and illegal, political and non-political, figural and abstract, small and big, urban and rural, wanted and unwanted, commercial and non commercial, some works is made in seconds and some takes days etc. Many street artists do work both outside and inside (in galleries and in public buildings). What's the difference between street art and vandalism? It's not an easy question to answer because it depends on the eye of the beholder. Today, Dolks street art is highly regarded in Bergen (and internationally) and the works that are left in the streets are preserved, even if this was made illegaly in the first place and previously was regarded as vandalism.

The photo above, showing a girl with a megaphone, I took in Stavanger 2011. This girl have something important to say. To whom? Dolks works often challenge our minds, both on a personal and societal level. See also a previous post about Dolk. Together with this comes "Message in a bottle" with The Police (Click on the link or the "play" button in the box below)

Sunday, 2 December 2012

Dolk: The pay phone!


This is one of the most well preserved stencil in the streets of Bergen made by Dolk. I took the picture on an october night in 2011 on my way home from town. It's located, pretty hidden, in a backyard near the legendary pub Garage. I'm not sure when this was made, but its a long time since Dolk did work in the streets of Bergen (Norway). I read somewhere that he did his last works here around 2006. Not because he stopped doing street art, quite contrary. In 2006 he was invited by Banksy to London to join the "Santa's Ghetto" festival. Since then, Dolk have worked all over the world at street art festivals and exhibitions. Today he is among the world's most recognised street artists. Since 2008, he has also taken street art out of it's urban environment and given lots of recognition for his works on deserted wooden houses at the rural coast of Lofoten (Norway).

Dolk Lundgren was born in Bergen 1979 and little is known publicly about his background. Dolk Lundgren is a pseudonym, his signature, from the days he did illegal works in the streets of Bergen. Despite his fame as an artist, he has kept his real identity hidden from the general public.

Dolk's images are highly thought through and gives an imediate reaction or perception that stays with you long after you've walked past. Their sometimes funny and contradictory in style; Combining iconic figures, persons or symbols with a touch of sarcasm as a comment on actual issues or more enduring issues in society. E.g. when he pictured Prince Charles with a Burger King hat. Another line of his images often have an emotional undertone that supports the lonely, the different and the neglected soul (often a child). I think the image above is along that line.

Dolk Lundgren lives in Melbourne where he study art and travel the world doing art on the streets! Along with this image I choose Decoder Ring feat. Lenka (from the movie Somersault): Somersault (Score) (Click on the link or the "play" button in the box below to listen).